Las óleos de todo Charles conder


ID Image  Painting (From A to Z)       Details 
58413  
Charles conder, A Holiday at Mentone
 
 A Holiday at Mentone   A Holiday at Mentone, c1888. This painting featured on a 1984 Australian postage stamp.
82301  
Charles conder, An Early Taste for Literature
 
 An Early Taste for Literature   painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cyf
79254  
Charles conder, An Early Taste for Literature,
 
 An Early Taste for Literature,   An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cjr
75369  
Charles conder, Arcadia
 
 Arcadia   Arcadia (1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868-1909). cjr
77246  
Charles conder, Arcadia
 
 Arcadia   1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909). cyf
75417  
Charles conder, Centennial Choir at Sorrento
 
 Centennial Choir at Sorrento   Centennial Choir at Sorrento (1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868-1909). cjr
77268  
Charles conder, Centennial Choir at Sorrento
 
 Centennial Choir at Sorrento   1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909). cyf
28034  
Charles conder, Departure of the SS Orient from Circular Quay
 
 Departure of the SS Orient from Circular Quay   1888 Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in) Art Gallery of New South Wales,Sydney (mk63)
23086  
Charles conder, Departure of thte OrientCircularQuay (nn02)
 
 Departure of thte OrientCircularQuay (nn02)   1888 Oil on canvas 17 3/4x19 3/4" Purchased 1888
77350  
Charles conder, Fatal Colours
 
 Fatal Colours   1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868?C1909). cyf
42160  
Charles conder, Figure composition
 
 Figure composition   mk167 c.1905 Oil
75459  
Charles conder, Going Home
 
 Going Home   Going Home (1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868-1909). cjr
77344  
Charles conder, Going Home
 
 Going Home   1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868?C1909). cyf
75358  
Charles conder, Herrick Blossoms
 
 Herrick Blossoms   Herrick's Blossoms (1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder (1868-1909). cjr
77237  
Charles conder, Herrick s Blossoms
 
 Herrick s Blossoms   1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder cyf
23090  
Charles conder, Holiday at Mentone (nn02)
 
 Holiday at Mentone (nn02)   1888 Oil on canvas 18 1/4x24"
75466  
Charles conder, How We Lost Poor Flossie
 
 How We Lost Poor Flossie   How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868-1909). cjr
77349  
Charles conder, How We Lost Poor Flossie
 
 How We Lost Poor Flossie   (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868?C1909). cyf
77230  
Charles conder, Impressionists Camp
 
 Impressionists Camp   1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909). cyf
75351  
Charles conder, Impressionists' Camp
 
 Impressionists' Camp   Impressionists' Camp (1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868-1909). cjr
42158  
Charles conder, Miss Raynor
 
 Miss Raynor   mk167 c.1890 Oil
23091  
Charles conder, Springtime (nn02)
 
 Springtime (nn02)   1888 Oil on canvas 17 3/5x23 1/4
75467  
Charles conder, The Fatal Colours
 
 The Fatal Colours   The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909). cjr
42159  
Charles conder, The Meeting
 
 The Meeting   mk167 c.1895 Watercolo on silk
23092  
Charles conder, Yarding Sheep (nn02)
 
 Yarding Sheep (nn02)   1890 Oil on canvas 14x22 1/16"

Charles conder
English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont



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